{"id":21363,"date":"2022-04-19T14:20:46","date_gmt":"2022-04-19T13:20:46","guid":{"rendered":"https:\/\/cedej-old.hybrid-cs.com\/?p=21363"},"modified":"2022-04-20T12:52:38","modified_gmt":"2022-04-20T11:52:38","slug":"midan-mounira-la-formation-du-canon-litteraire-arabe-moderne-6-fevrier-a-18h00","status":"publish","type":"post","link":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/2022\/04\/19\/midan-mounira-la-formation-du-canon-litteraire-arabe-moderne-6-fevrier-a-18h00\/","title":{"rendered":"Conf\u00e9rence Midan Mounira: \u00ab La formation du canon litt\u00e9raire arabe moderne \u00bb | 17 Mai \u00e0 18h00 \u00e0 l’IFE"},"content":{"rendered":"

\"\"<\/a>Conf\u00e9rence Midan Mounira<\/h4>\n

” La formation du canon litt\u00e9raire arabe moderne<\/span><\/strong> ”
\npar <\/span>Richard JACQUEMOND<\/h3>\n

\u062a\u0643\u0648\u064a\u0646 \u0627\u0644\u0645\u0631\u062c\u0639\u064a\u0629 \u0627\u0644\u0623\u062f\u0628\u064a\u0629 \u0627\u0644\u062d\u062f\u064a\u062b\u0629<\/span><\/h3>\n

Le 17 mai \u00e0 18h00 \u00e0 l\u2019IFE<\/p>\n

Langue : Fran\u00e7ais avec traduction simultan\u00e9e vers l\u2019arabe.
\n\u0627\u0644\u0645\u062d\u0627\u0636\u0631\u0629 \u0628\u0627\u0644\u0644\u063a\u0629 \u0627\u0644\u0641\u0631\u0646\u0633\u064a\u0629 \u0645\u0635\u062d\u0648\u0628\u0629 \u0628\u062a\u0631\u062c\u0645\u0629 \u0641\u0648\u0631\u064a\u0629 \u0644\u0644\u0639\u0631\u064a\u064a\u0629<\/p>\n

Quelles sont les instances (march\u00e9, institutions, critique…) qui d\u00e9terminent la formation du canon litt\u00e9raire arabe moderne? Sur la base de quels crit\u00e8res \u00e9thiques, esth\u00e9tiques\u00a0ou politiques?\u00a0Quel est le r\u00f4le respectif des acteurs nationaux, r\u00e9gionaux (arabes) ou encore \u00e9trangers dans ces processus? Comment les rapports de forces entre ces divers acteurs et instances ont-ils \u00e9volu\u00e9 depuis le tournant du mill\u00e9naire? Telles sont quelques-unes des questions qui seront abord\u00e9es dans cette conf\u00e9rence.<\/span><\/p>\n

 <\/p>\n

Bio-bibliographie de Richard Jacquemond<\/p>\n

 <\/p>\n

Agr\u00e9g\u00e9 d\u2019arabe, professeur de langue et litt\u00e9rature arabes modernes \u00e0 l\u2019universit\u00e9 d\u2019Aix-Marseille et chercheur \u00e0 l\u2019Institut de Recherches et d\u2019Etudes sur les Mondes Arabe et Musulmans (IREMAM, CNRS, Aix-en-Provence), dont il est actuellement directeur, Richard Jacquemond a r\u00e9sid\u00e9 plus de quinze ans en Egypte o\u00f9 il a notamment dirig\u00e9 (1988-1995) le programme de traduction de la mission culturelle fran\u00e7aise puis pr\u00e9par\u00e9 sa th\u00e8se de doctorat (1999), dont une version \u00e9ditoriale a \u00e9t\u00e9 publi\u00e9e en 2003 (Entre scribes et \u00e9crivains. Le champ litt\u00e9raire dans l\u2019Egypte contemporaine<\/em>, Actes Sud-Sindbad\u00a0; traductions arabe et anglaise). Ses recherches portent sur l\u2019histoire et la sociologie des litt\u00e9ratures arabes modernes, en particulier celles d\u2019Egypte, et sur les \u00e9changes traductionnels entre l\u2019arabe et les autres langues. Dernier livre paru\u00a0: (en codirection avec Fr\u00e9d\u00e9ric Lagrange), Culture pop en Egypte. Entre mainstream commercial et contestation<\/em>, Riveneuve Editions, 2020.<\/p>\n

Il a \u00e9galement traduit plus de vingt ouvrages de l\u2019arabe, presque tous d\u2019auteurs \u00e9gyptiens, dont huit romans de Sonallah Ibrahim et, derni\u00e8rement, deux livres d\u2019Iman Mersal\u00a0: une anthologie po\u00e9tique (Des choses m\u2019ont \u00e9chapp\u00e9<\/em>, Sindbad\/Actes Sud, 2018) et un r\u00e9cit (Sur les traces d\u2019Enayat Zayyat<\/em>, Sindbad\/Actes Sud, 2021, prix de la traduction Ibn Khaldoun-Senghor 2021).<\/p>\n

\u062a\u0643\u0648\u064a\u0646 \u0627\u0644\u0645\u0631\u062c\u0639\u064a\u0629 \u0627\u0644\u0623\u062f\u0628\u064a\u0629 \u0627\u0644\u062d\u062f\u064a\u062b\u0629<\/p>\n

\u0645\u0627 \u0647\u064a \u0627\u0644\u0647\u064a\u0626\u0627\u062a (\u0627\u0644\u0633\u0648\u0642 \u060c \u0627\u0644\u0645\u0624\u0633\u0633\u0627\u062a \u060c \u0627\u0644\u0646\u0642\u0627\u062f…) \u0627\u0644\u062a\u064a \u062a\u062d\u062f\u062f \u00a0\u062a\u0643\u0648\u064a\u0646 \u0627\u0644\u0645\u0631\u062c\u0639\u064a\u0629 \u0627\u0644\u0623\u062f\u0628\u064a\u0629 \u0627\u0644\u062d\u062f\u064a\u062b\u0629 \u061f<\/p>\n

\u0639\u0644\u0649 \u0623\u0633\u0627\u0633 \u0623\u064a \u0645\u0639\u0627\u064a\u064a\u0631 \u0623\u062e\u0644\u0627\u0642\u064a\u0629 \u0623\u0648 \u062c\u0645\u0627\u0644\u064a\u0629 \u0623\u0648 \u0633\u064a\u0627\u0633\u064a\u0629 \u061f \u0645\u0627 \u0647\u0648 \u062f\u0648\u0631 \u0643\u0644 \u0645\u0646 \u0627\u0644\u062c\u0647\u0627\u062a \u0627\u0644\u0641\u0627\u0639\u0644\u0629 \u0627\u0644\u0648\u0637\u0646\u064a\u0629 \u0623\u0648 \u0627\u0644\u0625\u0642\u0644\u064a\u0645\u064a\u0629 (\u0627\u0644\u0639\u0631\u0628\u064a\u0629) \u0623\u0648 \u0627\u0644\u0623\u062c\u0646\u0628\u064a\u0629 \u0641\u064a \u0647\u0630\u0627 \u0627\u0644\u0645\u0633\u0627\u0631 \u061f \u0643\u064a\u0641 \u062a\u0637\u0648\u0631\u062a \u0639\u0644\u0627\u0642\u0627\u062a \u0627\u0644\u0642\u0648\u0629 \u0628\u064a\u0646 \u0647\u0630\u0647 \u0627\u0644\u062c\u0647\u0627\u062a \u0627\u0644\u0641\u0627\u0639\u0644\u0629 \u0648\u0627\u0644\u0647\u064a\u0626\u0627\u062a \u0627\u0644\u0645\u062e\u062a\u0644\u0641\u0629 \u0645\u0646\u0630 \u0645\u0646\u0630 \u0645\u0637\u0644\u0639 \u0627\u0644\u0623\u0644\u0641\u064a\u0629\u061f \u0647\u0630\u0647 \u0628\u0639\u0636 \u0627\u0644\u062a\u0633\u0627\u0624\u0644\u0627\u062a \u0627\u0644\u062a\u064a \u0633\u064a\u062a\u0645 \u062a\u0646\u0627\u0648\u0644\u0647\u0627 \u062e\u0644\u0627\u0644 \u0647\u0630\u0647 \u0627\u0644\u0646\u062f\u0648\u0629.<\/p>\n

\u0631\u064a\u0634\u0627\u0631 \u062c\u0627\u0643\u0645\u0648\u0646<\/p>\n

\u062d\u0627\u0626\u0632 \u0627\u0644\u0623\u0633\u062a\u0627\u0630\u064a\u0629\u060c \u0648\u0623\u0633\u062a\u0627\u0630 \u0627\u0644\u0644\u063a\u0629 \u0648\u0627\u0644\u0623\u062f\u0628 \u0627\u0644\u0639\u0631\u0628\u064a \u0627\u0644\u062d\u062f\u064a\u062b \u0628\u062c\u0627\u0645\u0639\u0629 \u0622\u0643\u0633-\u0645\u0627\u0631\u0633\u0627\u064a \u0648\u0628\u0627\u062d\u062b \u0628\u0645\u0639\u0647\u062f \u0627\u0644\u0623\u0628\u062d\u0627\u062b \u0648\u0627\u0644\u062f\u0631\u0627\u0633\u0627\u062a \u062d\u0648\u0644 \u0627\u0644\u0639\u0627\u0644\u0645\u064a\u0646 \u0627\u0644\u0639\u0631\u0628\u064a \u0648\u0627\u0644\u0625\u0633\u0644\u0627\u0645\u064a (IREMAM\u060c CNRS\u060c \u0622\u0643\u0633-\u0623\u0648\u0646-\u0628\u0631\u0648\u0641\u0627\u0646\u0633)\u060c \u062d\u064a\u062b \u064a\u0634\u063a\u0644 \u0628\u0647 \u062d\u0627\u0644\u064a\u0627 \u0645\u0646\u0635\u0628 \u0627\u0644\u0645\u062f\u064a\u0631.<\/p>\n

\u00a0\u0623\u0642\u0627\u0645 \u0631\u064a\u0634\u0627\u0631 \u062c\u0627\u0643\u0645\u0648\u0646 \u0623\u0643\u062b\u0631 \u0645\u0646 15 \u0639\u0627\u0645\u064b\u0627 \u0641\u064a \u0645\u0635\u0631\u060c \u062d\u064a\u062b \u0623\u062f\u0627\u0631 \u0644\u0627 \u0633\u064a\u0645\u0627 \u0628\u0631\u0646\u0627\u0645\u062c \u0627\u0644\u062a\u0631\u062c\u0645\u0629 \u0627\u0644\u062e\u0627\u0635 \u0628\u0627\u0644\u0628\u0639\u062b\u0629 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629 \u0627\u0644\u0641\u0631\u0646\u0633\u064a\u0629\u060c \u062b\u0645 \u0642\u0627\u0645 \u0628\u0625\u0639\u062f\u0627\u062f \u0623\u0637\u0631\u0648\u062d\u0629 \u0627\u0644\u062f\u0643\u062a\u0648\u0631\u0627\u0647 (1999) \u0648\u0627\u0644\u062a\u064a \u0635\u062f\u0631\u062a \u0641\u064a \u0646\u0633\u062e\u0629 \u0644\u0644\u0646\u0634\u0631 \u0641\u064a \u0639\u0627\u0645 2003 \u062a\u062d\u062a \u0639\u0646\u0648\u0627\u0646 \u201d\u00a0Entre scribes et \u00e9crivains. Le champ litt\u00e9raire dans l\u2019Egypte contemporaine<\/em>\u00a0\u201d \u0639\u0646 \u062f\u0627\u0631 \u0623\u0643\u062a \u0633\u0648\u062f \u2013 \u0633\u0646\u062f\u0628\u0627\u062f (\u062a\u0631\u062c\u0645\u0647 \u0625\u0644\u0649 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0628\u0634\u064a\u0631 \u0627\u0644\u0633\u0628\u0627\u0639\u064a \u062a\u062d\u062a \u0639\u0646\u0648\u0627\u0646 “\u0628\u064a\u0646 \u0643\u062a\u0628\u0629 \u0648\u0643\u062a\u0627\u0628\u060c \u0627\u0644\u062d\u0642\u0644 \u0627\u0644\u0623\u062f\u0628\u064a \u0641\u064a \u0645\u0635\u0631 \u0627\u0644\u0645\u0639\u0627\u0635\u0631\u0629”\u060c \u062f\u0627\u0631 \u0627\u0644\u0645\u0633\u062a\u0642\u0628\u0644 \u0627\u0644\u0639\u0631\u0628\u064a\u060c \u0662\u0660\u0660\u0664).<\/p>\n

\u00a0\u064a\u0631\u0643\u0632 \u0628\u062d\u062b\u0647 \u0639\u0644\u0649 \u062a\u0627\u0631\u064a\u062e \u0648\u0639\u0644\u0645 \u0627\u062c\u062a\u0645\u0627\u0639 \u0627\u0644\u0623\u062f\u0628 \u0627\u0644\u0639\u0631\u0628\u064a \u0627\u0644\u062d\u062f\u064a\u062b \u060c \u0648\u062e\u0627\u0635\u0629 \u0627\u0644\u0623\u062f\u0628 \u0627\u0644\u0645\u0635\u0631\u064a \u060c \u0648\u0639\u0644\u0649 \u0627\u0644\u062a\u0628\u0627\u062f\u0644 \u0627\u0644\u062a\u0631\u062c\u0645\u064a \u0628\u064a\u0646 \u0627\u0644\u0644\u063a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0648\u0627\u0644\u0644\u063a\u0627\u062a \u0627\u0644\u0623\u062e\u0631\u0649.<\/p>\n

\u00a0\u0623\u062d\u062f\u062b \u0643\u062a\u0627\u0628 \u062a\u0645 \u0625\u0635\u062f\u0627\u0631\u0647: (\u0628\u0627\u0644\u062a\u0639\u0627\u0648\u0646 \u0645\u0639 \u0641\u0631\u062f\u0631\u064a\u0643 \u0644\u0627\u062c\u0631\u0627\u0646\u062c) \u060c Culture pop en Egypte. Riveneuve \u060c 2020.<\/p>\n

\u0643\u0645\u0627 \u0642\u0627\u0645 \u0628\u062a\u0631\u062c\u0645\u0629 \u0623\u0643\u062b\u0631 \u0645\u0646 \u0639\u0634\u0631\u064a\u0646 \u0639\u0645\u0644\u0627\u064b \u0645\u0646 \u0627\u0644\u0644\u063a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u060c \u0645\u0639\u0638\u0645\u0647\u0627 \u0644\u0645\u0624\u0644\u0641\u064a\u0646 \u0645\u0635\u0631\u064a\u064a\u0646 \u060c \u0628\u0645\u0627 \u0641\u064a \u0630\u0644\u0643 \u062b\u0645\u0627\u0646\u064a \u0631\u0648\u0627\u064a\u0627\u062a \u0644\u0635\u0646\u0639 \u0627\u0644\u0644\u0647 \u0625\u0628\u0631\u0627\u0647\u064a\u0645 \u060c \u0648\u0645\u0624\u062e\u0631\u0627\u064b \u0643\u062a\u0627\u0628\u0627\u0646 \u0644\u0625\u064a\u0645\u0627\u0646 \u0645\u0631\u0633\u0627\u0644: \u0645\u062e\u062a\u0627\u0631\u0627\u062a \u0634\u0639\u0631\u064a\u0629 (Des choses m\u2019ont \u00e9chapp\u00e9<\/em>, Sindbad\/Actes Sud, 2018) \u0648\u0643\u062a\u0627\u0628 “\u0641\u064a \u0623\u062b\u0631 \u0639\u0646\u0627\u064a\u0627\u062a \u0627\u0644\u0632\u064a\u0627\u062a” \u00a0(Sur les traces d\u2019Enayat Zayyat, Sindbad\/Actes Sud, 2021 ) \u062d\u0627\u0635\u0644\u0629 \u0639\u0644\u064a \u062c\u0627\u0626\u0632\u0629 \u0627\u0628\u0646 \u062e\u0644\u062f\u0648\u0646 – \u0633\u0646\u063a\u0648\u0631 \u0644\u0644\u062a\u0631\u062c\u0645\u0629<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

Conf\u00e9rence Midan Mounira ” La formation du canon litt\u00e9raire arabe moderne ” par Richard JACQUEMOND \u062a\u0643\u0648\u064a\u0646 \u0627\u0644\u0645\u0631\u062c\u0639\u064a\u0629 \u0627\u0644\u0623\u062f\u0628\u064a\u0629 \u0627\u0644\u062d\u062f\u064a\u062b\u0629 Le 17 mai \u00e0 18h00 \u00e0 l\u2019IFE Langue : Fran\u00e7ais avec traduction simultan\u00e9e vers l\u2019arabe. \u0627\u0644\u0645\u062d\u0627\u0636\u0631\u0629 \u0628\u0627\u0644\u0644\u063a\u0629 \u0627\u0644\u0641\u0631\u0646\u0633\u064a\u0629 \u0645\u0635\u062d\u0648\u0628\u0629 \u0628\u062a\u0631\u062c\u0645\u0629 \u0641\u0648\u0631\u064a\u0629 \u0644\u0644\u0639\u0631\u064a\u064a\u0629 Quelles sont les instances (march\u00e9, institutions, critique…) qui d\u00e9terminent la formation du canon litt\u00e9raire…<\/p>\n","protected":false},"author":3,"featured_media":21178,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[],"_links":{"self":[{"href":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/wp-json\/wp\/v2\/posts\/21363"}],"collection":[{"href":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/wp-json\/wp\/v2\/comments?post=21363"}],"version-history":[{"count":11,"href":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/wp-json\/wp\/v2\/posts\/21363\/revisions"}],"predecessor-version":[{"id":21618,"href":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/wp-json\/wp\/v2\/posts\/21363\/revisions\/21618"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/wp-json\/wp\/v2\/media\/21178"}],"wp:attachment":[{"href":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/wp-json\/wp\/v2\/media?parent=21363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/wp-json\/wp\/v2\/categories?post=21363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cedej-old.hybrid-cs.com\/index.php\/wp-json\/wp\/v2\/tags?post=21363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}